Rembrandt and his Critics 1630 1730 eBook ✓

  • Hardcover
  • 240 pages
  • Rembrandt and his Critics 1630 1730
  • Seymour Slive
  • English
  • 25 December 2014
  • 9780878173112

11 thoughts on “Rembrandt and his Critics 1630 1730

  1. Jonathan Lopez Jonathan Lopez says:

    This book has a measure of sentimental importance to me as it was the first ever published by Seymour Slive who got me interested in Dutch art when I was a college student He was a wonderful teacher a great authority in his field and a really good person Although now retired he continues to publish actively and just wrote a book earlier this year on Jacob van RuisdaelRembrandt and His Critics was Slive's doctoral dissertation The subject matter is fairly narrow a history of Rembrandt's reputation as seen through contemporary documents from the artist's lifetime and immediately thereafter and will be of interest mostly to specialists Here one finds extensive footnotes in Latin German and 17th century Dutch and yet for all the scholarly rigor this book is a model of clarity and elouence a reminder that even the most academic writing can be beautiful although authors capable of pulling this off were a rare breed in Slive's era and are maybe even rarer today In any case if you're interested in Rembrandt and already have some background in Dutch art it's a great book We tend to think of truly major artists like Rembrandt as if they had always been considered unimpeachably important figures That isn't uite so Rembrandt's reputation was high during much of his lifetime but after his death prevailing styles changed to suit a classicizing Enlightenment taste Although the market for Rembrandt's work especially the prints remained strong throughout Europe there was an undertow of critical disapproval Some commentators during this period complained that Rembrandt's work lacked decorum that it was morally suspect that it was common With the rise of 19th century movements like Romanticism and Realism many of those minuses were soon transformed into pluses But it's interesting to see that a reputation as lofty as Rembrandt's or as Seymour Slive's was not built in a day

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Rembrandt and his Critics 1630 1730❮Download❯ ➹ Rembrandt and his Critics 1630 1730 Author Seymour Slive – Rembrandt – Paintings | Essay | The However a crucial aspect of Rembrandt’s development was his intense study of people objects and their surroundings “from life” as is obvious in paintings li Rembrandt – Paintings | Essay | his Critics PDF/EPUB å The However a crucial aspect of Rembrandt’s development was his intense study of people objects and their surroundings “from life” as is obvious in paintings like his early self portraits and the Saint Paul in Prison of Staatsgalerie Stuttgart Even by Dutch standards Rembrandt’s preoccupation with direct observation was exceptional and continued throughout his career Despite Rembrandt and his time masterw reli Bisanz Prakken Rembrandt and his time masterw Bisanz Prakken Hudson Hills Des milliers de livres avec la Rembrandt and eBook Æ livraison chez vous en jour ou en magasin avec % de rduction Drawings by Rembrandt and his School Collection Rembrandt works — Google Arts Culture 'Rembrandt and his pupils often painted people in fancy dress for decorative effect but biblical characters were also depicted in this way' Source Walker Art Gallery Liverpool The Betrothal by Rembrandt circle ofWalker Art Gallery Liverpool 'This is the last of Rembrandt van Rijn's seven etchings featuring the hermit and scholar Saint Jerome' Source The Nelson Atkins Museum of Art Rembrandt and his Critics PDF Ë and his muse | The Arts Society Rembrandt Saskia Love in the Dutch Golden Age reveals the story of Rembrandt and his wife Saskia against the backdrop of life love and loss in society of their time The Arts Society Magazine’s editor Sue Herdman takes a look Rembrandt Harmenszoon van Rijn and his wife Saskia Uylenburgh were one of the golden couples of the Dutch Golden Age She was the daughter of a prosperous Rembrandt Introduction In his uest to revitalize Christian imagery Rembrandt rejected the predictable majesty of traditional portrayals of Christ He was interested in Christ the man himself and how his family and the crowds to whom he preached perceived him Rembrandt seems to have been unconcerned by contemporary theological uarrels He was a Protestant in a Protestant republic welcoming all religions and it Rembrandt And His Saddest Love Story You know Rembrandt and his portraits in hats You know his biblical scenes and his views of Amsterdam You could recognize his style from afar But do you know his saddest love story which considerably impacted on his painting and the rest of his life Rembrandt The Prodigal Son in the Tavern a self portrait with Saskia c Gemldegalerie Dresden Rembrandt met Saskia van Uylenburgh Back to Basics Rembrandt and the Emergence of Other recent books and exhibitions on Rembrandt proceed similarly working outward from specific themes in his career to make insightful inferences about his practice or the broader ecosystem in which it operated Rembrandts schatkamer ; Rembrandt Creates Rembrandt ; Rembrandt’s Women ; Chong Zell ; Golahny ; Dickey ; Zell ; Rembrandt’s Late Full text of Rembrandt and his circle a loan Houbraken in his Groote Schouburgh relates that soon after Rembrandt came to Amsterdam he rented a ware house loft on the Bloemengracht where he arranged his pupils in individual cubicles shut off from one another by packing paper or sailcloth where they could draw from life and Sandrart who knew the artist from about tells in his Teutsche Academie that the YOUNG REMBRANDT – ONLINE EXHIBITION |.